Elimination Tattoo: Collaboration Tattoo: Part III

  • Season 4
  • Aired 04/29/2014
  • 14,094 Views

The artists do their best to finish their collaboration tattoos. The judges can already tell Gentle Jay and Melissa's piece is not going to come out well.

- FIVE HOURS.

SWITCH.

- WE'RE GONNA TAKE A RISKWITH THIS TATTOO TODAY.

I PUT OUT AN IDEATO DO A HANNYA MASK.

MY STYLE'S REALLYOUTSIDE OF THE BOX.

I LIKE CREATING CUSTOM THINGSYOU'VE NEVER SEEN BEFORE.

I'M MORE CONFIDENT IN MY SKILLSTHAN I AM IN MELISSA'S,

SO I'M GONNA HANDLEALL THE REALLY HIGHLY DETAILED,

HARD-TO-DO STUFF.

MELISSA'S GONNAHANDLE THE EASY STUFF.

I'M PRETTY MUCH PULLINGTHE WEIGHT ON THIS THING.

- YOU'RE GONNA GETTHIS THING FINISHED?

- GOD, WE HOPE SO.

- LOOKING AT MELISSAAND JAY'S TATTOO,

IT'S VERY OBVIOUSTHAT NEITHER ONE OF THEM IS

BENDING TO EACH OTHER'S STYLE.

SHE'S ONLY TATTOOING THE PARTTHAT SHE DESIGNED,

AND HE'S ONLY TATTOOINGTHE PART THAT HE DESIGNED.

IN TERMS OF FLEXIBILITY,

THIS IS A VERY WEAK TURNOUTFOR THEM.

- WHAT DO YOU WANT ME TOFOCUS ON IN THIS UPCOMING HOUR?

- DON'T DO THE DARK ONE.START WITH THAT ONE.

GET THAT LINE SMOOTHERRIGHT HERE.

- I CAN'T RELAXBECAUSE SCOTT NEEDS TO BE

IN CONTROL OF EVERYTHING.

- YOU COULD ALMOST CORNERA LITTLE BIT,

SO IT LOOKS LIKETHERE'S ALMOST A SPINE.

WHY DON'T YOU TAKESOME OF THAT SLATE

AND PUT IT IN THE TENTACLESBEFORE I GET INTO IT?

LIGHTER THAN THAT.

- TO GO OUT?- YEAH.

- WHEN SCOTT IS COMPETING,HE'S HARD TO GET ALONG WITH

BECAUSE THERE IS NO OTHER WAYEXCEPT SCOTT'S WAY.

- DON'T CONNECT IT.

JUST A LITTLE,JUST A LITTLE BIT OFF THAT LINE.

- DUDE, SHUT UP.

WE ALREADY KNOW.YOU'RE THE MAN.

- YOU GOT TO GET IT SOFTAROUND THAT EDGE, BRO.

- SWITCH.

- YOU'RE IN.- TAKE YOUR GLOVES OFF.

- WHEN WE COME BACK TO MY TURN,

I'M GONNA GO FINISH THE RESTOF THE TINY, LITTLE LINES

AND THEN MOVE RIGHTINTO THAT BLACK SHADING.

- JAY IS ONLY FOCUSINGON HIS PARTS OF THE TATTOO.

EVERYTHING ELSE ISBEING LEFT ON ME,

AND IT'S A GOOD 2/3OF THE TATTOO.

YOU SHOULD REALLY TRY TO BE ABLETO START THE COLOR

ON THE ELEPHANTJUST 'CAUSE I GOTTA COLOR

ALL THAT GREEN STILL...- OH, NO, I KNOW.

- AND THE WHOLE ELEPHANT.- I'M GONNA DO SHADING.

- JUST DO AS MUCH AS YOU CAN,YOU KNOW.

I'M DEFINITELY FEELINGTHE PRESSURE OF MAKING UP

FOR WHAT HE'S NOT DOING.

- AND SWITCH ARTISTS.

- JUST GET IN THEREAND THEN BRING IT TOGETHER.

DO YOUR BEST WITH IT,YOU KNOW?

- I JUST FEEL LIKEA LOT IS BEING LEFT ON ME.

- THEY ARE OBVIOUSLYRUNNING OUT OF TIME.

THIS TATTOO IS GONNABE HURTING AT THE END OF IT.

HALO AND I ARE PROVING THATWE WORK REALLY WELL AS A TEAM.

THIS [bleep] LOOKING GOOD.

- IT'S LOOKING [bleep] GREAT,DUDE.

- LOOKING ATTHESE THREE TATTOOS,

I AM VERY CONFIDENT RIGHT NOW

THAT WE'VE GOT THIS WININ THE BAG.

OOH, THAT [bleep] LOOKS GOOD.

- HOW'D YOU SWITCH THE LINE WORK

WITHOUT MESSING UP THE STENCILOR ANYTHING?

- IT'S BEEN A PURE COLLABORATIONBETWEEN THE TWO OF US,

AS FAR AS LINE WORK,SHADING.

- MATTI AND SAUSAGE AREDOING A WEIRD DEMON HEAD THING.

THEY JUST COMPLETELYOVERTHOUGHT IT

AND PUT WAY TOO MUCH CRAPWHERE IT WASN'T SUPPOSED TO BE.

IT'S JUST A MESS.

I LOVE THE FACTTHAT THEY'RE DOING SOMETHING

THAT COULD PUT THEMAT THE BOTTOM

BECAUSE IT HELPS TAKETHE FOCUS OFF OF US.

- GETTING THE VIBEYOU GUYS WORK GOOD TOGETHER.

- OH, THIS HAS BEEN AWESOME.- COOL, MAN.

YOU'RE IN THE HOME STRETCH.- FINAL HOUR. SWITCH UP.

- GONNA COME DOWNTO THE WIRE HERE.

- YUP.- I KNOW IT.

I'M LEFT IN THE LAST HOURTO DO MOST OF THE TATTOO.

JAY BARELY GOT ANYTHING DONE,

AND NOW I'M LEFTTO COLOR EVERYTHING IN.

I FEEL LIKE WE'RE [bleep].

- SHE NEEDSTO STEP UP THE PACE,

AND I'M DOING EVERYTHING I CANTO ASSIST HER.

WHATEVER.JUST DO WHAT YOU GOT TO DO.

JUST PUT YOUR NOSE DOWNAND TATTOO.

JUST GET IT DONE.

- SO WHAT DO YOU THINK?

DO YOU LIKE THE LOTUSON THE BOTTOM?

- I PERSONALLY LIKE THE DETAILSON THE LOTUS.

- THEY KIND OF SHOWED THAT THEYGOT SOME SKILLS ON THAT ONE.

- BUT IT'S GONNA BE TOUGH.

MELISSA HAS TO FINISHTHAT TATTOO.

SAUSAGE AND MATTI--THEIR TATTOO IS SO SCRAMBLED.

IT'S HARD TO TELLWHAT THE IMAGE IS.

- THEY'RE NOT LOOKING GOOD.

- TEN, NINE,

EIGHT, SEVEN,

SIX, FIVE,

FOUR, THREE,

TWO, ONE.

MACHINES DOWN.TIME IS UP.

NO MORE INK.

- OH, MY GOSH,IT LOOKS AMAZING.

- SWEET.

- OH, DAMN.LOOK AT THAT.

- POW.

- OH, MY GOD!

- I KNOW THAT MY WORKIN THIS IS SOLID,

SO THE SHORTCOMINGSARE GONNA BE MELISSA'S.

- I'M DEFINITELY UPSETRIGHT NOW.

I FEEL LIKE I'M GONNA GET JUDGEDFOR MISTAKES THAT AREN'T MINE.

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