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In Perfect Harmony

The Savage family goes digging with a surprising partner: acclaimed actor Bill Paxton. Will they hit pay dirt at a former socialist commune? Or will the star-struck Savages strike out?

- SADDLE UP![chatter, cheering]

- BILL PAXTONWANTS TO GO DIGGING

WITH AMERICAN SAVAGE,FOLKS.

- YOU GET A FEVERDOING THIS, RIC.

- I'M GETTING HITS EVERYWHERE,GUYS, LOOK.

- HOLY COW.

- WHEN THIS TOWN WAS FOUNDED,THIS WAS THE FRONTIER.

[grunts]- BOOM, BABY!

- YEAH!

AMERICA'S HISTORYIS BURIED IN ITS SOIL.

I'M FORMER PRO WRESTLERRIC SAVAGE,

AND I MAKE MY LIVINGDIGGING UP THE PAST.

LET'S DIG THAT HOLE,BABY!

OOH!

BUT NOW I'M TURNING

AMERICAN SAVAGEINTO A FAMILY BUSINESS.

MY WIFE RITA KEEPS HER EYEON THE BOTTOM LINE.

- I DON'T THINKIT'S GONNA HOLD.

- OUR SON G IS A MASTER

OF ALL THINGS MECHANICAL.

AND OUR YOUNGEST NICKIS A DIGGING NEWCOMER,

AND HE'S OUT TO PROVEHE DESERVES

A SPOT ON THIS TEAM.

OUR FAMILY BUSINESSIS ONE OF A KIND.

WE PULL OUR PROFITSRIGHT OUT OF THE DIRT.

BOOM, BABY!

YOU GUYS ARE NOTGOING TO BELIEVE

WHO WE'RE GOING TO SEERIGHT NOW.

- WHO?- I RECEIVED A PHONE CALL...

- IS THIS GONNA BEONE OF YOUR, LIKE,

HILLBILLY FRIENDS AGAIN?

- I DON'T HAVEHILLBILLY FRIENDS.

- SO WHO IS IT?

- I GOT AN EXCITING CALLTO AUTHENTICATE AN ITEM

IN NEW HARMONY, INDIANA.

THIS COULD LEAD USTO A REALLY INTERESTING DIG.

THIS LITTLE GEM OF A TOWNHAD A BIG ROLE

IN SHAPING EARLY AMERICA.

IN 1826, A GUY NAMEDROBERT OWEN FOUNDED NEW HARMONY,

A SOCIALISTOR UTOPIAN COMMUNITY.

THERE WAS NO LEADER.

THERE WASNO SOCIAL CLASSES.

THEY HAD A BIG FOCUSON THE SCIENCES.

THIS IS ALL TIEDINTO THE AGE OF ENLIGHTENMENT

HERE IN THE UNITED STATES.

THIS FRONTIER UTOPIA

ATTRACTED LEADINGSCIENTIFIC MINDS OF THE DAY.

ADVANCES IN BIOLOGY,GEOLOGY,

AND EDUCATIONAL REFORMIN NEW HARMONY

HELPED PROPEL AMERICAINTO THE INDUSTRIAL AGE.

- SO YOU'RE REALLY NOTGONNA TELL US WHO CALLED YOU?

ALL RIGHT, RIC,WHAT ARE YOU PULLING ON ME?

- I'M NOT PULLING ANYTHING.- OH, COME ON.

- I PROMISE YOU.

- WE HAVE A MYSTERY MAN.

AH, SECRETS--THE CORNERSTONEOF ANY GOOD MARRIAGE.

RIC SEEMS EXCITED,SO I'M CURIOUS.

BUT THERE BETTER BEA PROFITABLE DIG

AT THE ENDOF THIS MYSTERY.

- THERE'S OUR GUY,RIGHT THERE.

- WHERE HAVE ISEEN THAT GUY BEFORE?

- RIC SAVAGE?

- BILL PAXTON.

- THAT'S RIGHT.

- HOW THE HECK ARE YA?

- WELCOME TO NEW HARMONY.

- [laughs]WHAT?

- I THINK I MIGHTHAVE SOMETHING

THAT MIGHT INTEREST YOU.

- WELL, LET'S SHOW ME.- COME ON.

- THAT'S WHY I'M HERE,BROTHER.

- HOW WAS YOUR TRIP IN?

- EXCELLENT.

- RIC, I WANT YOUTO MEET MY SON JAMES.

JAMES PAXTON,RIC SAVAGE.

- HEY.HOW YOU DOING, MAN?

- I'M DOING WELL.PLEASURE TO MEET YOU.

- I'VE DRIVEN A LONG WAYTO SEE WHAT YOU GOT.

- TAKE A LOOK AT THIS.

- "HOSTETTER'SSTOMACH BITTERS."

THIS WASEVERY UNION SOLDIER'S SAVIOR

IN THE CIVIL WAR.

IT WOULD PROTECT YOUFROM ALL THE AILMENTS

YOU COULD GETBEING IN THE BAYOUS

AND IN THE SWAMPSOF THE CONFEDERATE STATES.

- WHAT DID IT HAVEIN IT?

- 47% ALCOHOL.

- WELL, I SEEWHY THEY DRANK IT.

- YEAH.- IT WAS FORTIFIED FOR BATTLE.

THE, UM,STOMACH BITTER BOTTLE,

WE BROUGHT THAT INAS KIND OF A TEASER.

WE FIGURED ONCE RIC SAVAGEGOT AN EYEFUL OF THAT,

HE'D BE CURIOUS TO KNOWIF THERE WAS MORE.

- WHERE DID YOU FIND THIS?

- WELL, SOME FRIENDS OF MINEHAVE A FARM

RIGHT OUTSIDE OF HERE,AND WE WERE UP IN THIS MEADOW.

AND AS WE WERE STANDING THERE,I LOOK DOWN

AND I SEE SOMETHING STICKINGOUT OF THE GROUND.

WE DIG IT UP.IT'S AN OLD CERAMIC PIECE.

AND RIGHT NEXT TO IT,

WE SEE THISSTICKING OUT OF THE GROUND.

AND THE NEXT THING WE KNOW,WE'RE PULLING UP

ALL KINDS OF STUFFLIKE THIS.

- YOU COULD BEIN WHAT WAS A, YOU KNOW,

19TH-CENTURY DUMP.

AND IF YOU FOUND20 OR 25 BOTTLES,

THAT COULD BEA HONEY HOLE.

- I LIKE THE SOUNDOF HONEY HOLE.

WHY DON'T WE HEAD OUTTO THEIR FARM?

- I'LL MEET YOUOVER THERE.

- EXCELLENT, MAN.WE'LL SEE YOU OVER THERE.

- I WILL SEE YOU THERE,MY FRIEND.

- OH, HERE HE IS.

ALL RIGHT.WHAT'S THE DEAL HERE, BUDDY?

- BILL PAXTONWANTS TO GO DIGGING

WITH AMERICAN SAVAGE,FOLKS.

- ARE YOU SERIOUS?- REALLY?

- I MEAN,THIS IS UNBELIEVABLE,

UN-FRICKIN'-BELIEVABLE.

BEFORE WE PUT A COILTO THE SOIL,

WE NEED PERMISSIONFROM THE PROPERTY OWNER.

BILL'S FRIEND ERIK IS A DIRECTDESCENDENT OF ROBERT OWEN,

ONE OF THE FOUNDERSOF NEW HARMONY.

HEY, IT'S GREAT TO MEET YOU.

- NICE TO MEET YOU TOO.COME ON.

- HIS 1,900-ACRE PLOTHAS BEEN IN THE FAMILY

FOR ALMOST 200 YEARS.

- WELL, HERE'S A SHOT OF US.

THIS IS 18 MONTHS AGOWHEN WE MADE THE DISCOVERY.

WE PULLED UPA LOT OF PIECES INTACT,

AND I THOUGHT, "WE WANNAGET A PROFESSIONAL PERSON

TO DO THISSO WE DO IT RIGHT."

- WELL, I'M GLAD THATYOU DECIDED TO CALL ME INSTEAD.

[laughter]

OBVIOUSLY I DO THISFOR A LIVING,

AND I HAVE TO MAKE MONEY.

WE LIKETO KEEP ARTIFACTS LOCAL.

AND WE SELL THEM, WE SPLITTHE MONEY WITH WHOEVER--

- I HAVE TO SAY, I'MMORE INTERESTED IN THE HISTORY.

OBVIOUSLY FAMILY PROPERTY.

- HOW ABOUT INSTEADOF SPLITTING PROCEEDS,

I'LL GIVE YOUTHE FIRST PICK

OF ANY ARTIFACT WE FIND,

NO MATTERHOW VALUABLE IT IS.

I WON'T EVEN MAKE A NOISE.

- FIRST PICK?

I COULD LIVE WITH THAT.

- THAT'S WHAT I LIKETO HEAR.

- ALL RIGHT.- READY TO GO DIGGING?

- YEAH.- I'M READY.

- AMERICAN SAVAGE,I WANT YOU TO MEET

BILL AND JAMES PAXTON.

- DIGGING WITH US, BILL?- OH, HELL, YEAH.

- [laughs]ALL RIGHT.

- I'VE LOVED DIGGINGEVER SINCE I WAS A BOY.

THERE'S JUST SOMETHING--

I CAN'T DESCRIBE THE FEELINGOF UNEARTHING AN OBJECT,

KNOWING THAT THE LAST PERSONTHAT TOUCHED THAT OBJECT--

IT MIGHT HAVE BEEN AS LONGAS 150 YEARS AGO.

ALL RIGHT.LET'S HEAD OUT.

- LET'S DO IT.- WHOO!

- ERIK LENT US HIS ATVSO BILL COULD

LEAD US TO THE SITEWHERE HE FOUND THE BOTTLES.

I ALWAYS SAY,"DIGGING AIN'T EASY,

"BUT THAT DOESN'T MEANIT CAN'T BE

A HELL OF A LOT OF FUN."

- I THINK THIS IS IT.- ARE WE ON IT?

- WELL, IT LOOKSA LITTLE DIFFERENT

THAN IT DIDBACK IN THE SPRING.

- BILL'S MEMORYGOT US CLOSE.

BUT TO PINPOINTTHE EXACT SPOT,

WE'LL HAVE TO USE THE GPR.

TO WORK PROPERLY, IT HAS TO ROLLEVENLY ACROSS THE GROUND,

SO THAT MEANS WE HAVETO CLEAR OFF SOME SNOW.

- [grunting]- YOU GOOD?

- HEY, G, TAKE IT,SCAN IT ALL THE WAY DOWN

TO THAT OLDFALLEN TREE.

- OH, YEAH. I'M GETTING HITSEVERYWHERE, GUYS, LOOK.

THEY'RE ONLY ABOUT A FOOT,FOOT AND A HALF SOME OF 'EM.

- ALL RIGHT, NEED TO WORK ITFROM THAT TREE

ALL THE WAY BACK UPTO THAT FALLEN BUSH.

THIS SITE COULD CONTAINA LOT OF GLASS,

WHICH MEANSWE CAN'T ATTACK IT

WITH ANY TOOLSTHAT MIGHT DAMAGE THE ARTIFACTS.

TODAY IT'S A SIMPLE PLAN--

SIX DIGGERSGETTING THEIR HANDS DIRTY.

- HO, HO, HO, HO.I GOT SOMETHING.

YEAH, THIS LOOKS LIKEIT'S INTACT.

IT LOOKS LIKE A--LIKE A LITTLE, THIN BOTTLE.

- OKAY.- OH, YEAH.

- NICE.

- THAT IS A NICE BOTTLE.- YEAH.

- "3-IN-ONE OIL COMPANY."

- OH, 3-IN-ONE OIL.

- THIS ONE'S ANYWHEREFROM 1900 TO ABOUT 1940.

- REALLY?- THAT'S A NICE BOTTLE.

COME ON, GUYS!

- I GOTTA FIND THAT.

- COME ON, THIS AIN'TA SEWING CIRCLE.

DIG A HOLE.

WHAT'S THAT?- WE GOT SOMETHING SWEET HERE.

- YEAH, HEY,JAMES GOT SOMETHING HERE.

- HERE IT IS.- CHECK IT OUT.

- WHOO!- YEAH!

- AND THE PAXTON BOYSARE BRINGING HOME THE BACON.

TOO BADABOUT THAT SAVAGE FAMILY.

- WHOA, WHOA.- OH!

- WHOA, HEY!- WAIT A MINUTE.

WAIT A MINUTE.- I HEARD A GAUNTLET DROP.

- WAIT A MINUTE!

- I JUST FOUND ANOTHER NECK.

THIS ONE'SA BROWN BOTTLE THOUGH.

- THE SAVAGE CLAN'SCATCHING UP.

- THERE WE GO.- OH, LOOK AT THAT.

"LYSOL."- NOW DON'T LET IT GET DIRTY.

- HOW LONG DO YOU THINKIT'S BEEN

SINCE LYSOLWAS PUT IN THESE?

QUITE A WHILE.- 100 YEARS.

- I'M HAPPY THE BOYSARE HAVING FUN,

BUT THESE BOTTLESARE NOT RARE ENOUGH

TO MAKE THIS DIGPROFITABLE.

- AHH!- WHOO!

- IF THIS PROPERTY'S BEENIN ERIK'S FAMILY

SINCE THE 1840s,WE'RE WASTING AN OPPORTUNITY

DIGGING A DUMPFROM THE EARLY 1900s.

THERE HAS TO BE MORETO THIS LAND.

- YOU GET A FEVERDOING THIS.

RIC, I WANNA JUST GO OUTON THE ROAD WITH YOU GUYS.

- YOU AND I NEEDTO GO TALK.

- WE DO?- YEAH.

- UH-OH.

- I HATE TO BREAK UPTHE PARTY,

BUT THIS IS STILLA BUSINESS.

AND RIC, HE NEEDS A BITOF A REALITY CHECK.

WHAT DO YOU THINKWE HAVE HERE MONEY-WISE?

- TRUTHFULLY?200, 300 BUCKS.

IT ADDS UP, BABY.IT ADDS UP.

- I KNOW, BUT THISWILL ADD UP BETTER.

COME HERE. LOOK.

HERE'S THE SATELLITEOF THE PROPERTY.

LOOK AT THESE TWO LITTLE DOTS.NO MODERN ROADS ANYWHERE.

- YEAH, THERE'S NOTHING.- NOTHING.

WE HAVE TWO STRUCTURESIN THE MIDDLE OF NOWHERE.

- BUT WE DIGENOUGH BOTTLES,

THIS DIGCOULD BE PROFITABLE.

EVERY TURN OF THE SHOVEL,THERE COULD BE A $1,000 BOTTLE.

- WE'VE BEEN HERE ALL DAY.

THIS IS A GREAT SITE BUT,

YOU KNOW,DOES IT PAY THE RENT?

- LET'S MOVE UPAND CHECK THIS THING OUT.

- HOLY COW.

- IF THIS IS HERE,WHAT DO YOU THINK

COULD BE INSIDE THE HOUSE?

WOW.[grunts]

- WE'VE BEEN HERE ALL DAY,BUT, YOU KNOW,

DOES IT PAY THE RENT?

- I'LL GO TALK TO BILL.

- OKAY.

LET ME KNOWHOW IT GOES, BABE.

- RITA'S RIGHT.

I CAN'T LET THE FUN

OF DIGGINGWITH THE PAXTON CLAN

TAKE MY EYEOFF THE BALL.

I JUST HOPE BILL'S OPENTO THE IDEA

OF RELOCATING THIS DIG.

HEY, BILL.- YEAH?

HERE'S THE BOTTOMOF THAT THING.

LOOK AT THAT.- NICE.

- UM, HOW WOULD YOU FEEL

ABOUT MOVINGTO ANOTHER LOCATION?

- WHAT DO YOU MEANANOTHER LOCATION?

THIS IS A PRETTY GOOD LOCATIONRIGHT HERE.

- THERE ARE A COUPLEOF STRUCTURES--

THEY'RE A LITTLE WAYSFROM HERE,

BUT THEY'RE STILLON ERIK'S LAND.

- DO YOU THINKTHIS OTHER SPOT'S PROMISING?

- ABSOLUTELY.

WE GOT TWO STRUCTURES ON IT

THAT COULD'VE BEEN THERESINCE THE 1840s.

WE'RE NOT GONNA KNOWTILL WE GET THERE.

- 1840s. WHAT DO YOU THINKOF THAT, JAMES?

- THAT'S ABOUT AS LONGAS ERIK SAID

HIS FAMILY'S OWNEDTHIS PLACE.

- WE'LL KEEP DIGGING HEREUNTIL WE CAN'T DIG NO MORE,

AND THEN TOMORROWWE ROLL TO THE OTHER SITE

AND SEE WHAT WE GOT.- HELL, YEAH.

- YEAH!

THE STRUCTURES RITA FOUND

ARE DEEPWITHIN ERIK'S PROPERTY.

AND WITH NO ROAD ACCESS,

THAT MEANS WE'RE BACKON THE ATVs.

- [shouts indistinctly]

- THAT LOOKS LIKEAN OLD BARN UP THERE.

- CHECK THAT OUT.

- HOLY COW.

- LET'S MOVE UPAND CHECK THIS THING OUT.

I THINK RITA MAY HAVEFOUND US SOMETHING SPECIAL.

- THAT BABY'S OLD.

- LOOK AT THIS PLACE.

- LOOKING AT THE WOOD

ON THESE TWO STRUCTURES,

THEY DEFINITELY DATE BACKTO THE 1800s.

BILL, YOU WANNA WORKWITH RITA AND ME,

WE'LL HIT THE HOUSE HERE.

JAMES, YOU WANNA WORKWITH NICK AND G, HIT THAT BARN.

ALL RIGHT.YOU GUYS READY TO HIT IT?

- YEAH.- ALL RIGHT.

- LET'S GET SOME GEARAND GET GOING.

- THIS IS IT, GUYS.

I CALL INSIDE THE BARN.

- WELL,NATURALLY YOU WOULD.

- YEAH, DON'T LET ITCAVE IN ON YOU.

I SEE IT'S CRACKINGOVER ON THAT RIGHT SIDE.

- GOOD LUCK.

- MY BROTHER ALWAYS SAYSHOW DUMB

HE THINKS I AM,BUT WHO'S THE ONE

NOT DIGGING IN THE SNOWRIGHT NOW?

- WELL, I WONDER WHERETHE PRIVY WOULD'VE BEEN HERE.

PROBABLY OUT BACK?

- PROBABLY OUT BACK,WHERE IT ROLLS DOWNHILL.

- YEAH.

- OH, YEAH.

RIC!

- YO!

- I HAVEA REALLY GOOD HIT.

- WOW.- WHAT'S RITA GOT?

- I WAS DOWN IN THERE.

- THIS IS A LITTLE DIFFERENTTHAN WHEN, UH,

WHEN WE DIGFOR THE BOTTLES.

YOU JUST GOTTASCAN AND SEARCH.

[beeping]

- HEY, G, JAMES,COME HERE FOR A MINUTE.

- YEAH?- WHAT'S UP?

- I GOT A PRETTY BIG HIT.

- WHAT KIND OF READINGWAS IT, NICK?

- IT SAID IRON.

- I'D PUT THAT PILE OF DIRTRIGHT THERE.

OOH, NICK, LOOK,I THINK JAMES

GOT A HOLD OF ITPRETTY GOOD.

- YEAH?

YEAH, THERE IT GOES.

- OH, YEAH.IT'S BROKEN LOOSE NOW.

- WHAT?

THAT IS SICK.

- WHAT DO YOU THINK IT IS,JAMES?

- I DON'T EVEN KNOW.

IT KINDA REMINDS MEOF THOSE OLD SEWING MACHINES.

- LIKE A SEWING MACHINE?

IT'S ACTUALLY A HAY TROLLEY.

THEY WOULD STRING IT UPTO A BIG CENTER BEAM,

TIE YOUR HAY TO IT,PICK IT UP,

SLIDE IT TO THE BACKOF THE BARN...

- MM-HMM.- LOWER IT DOWN,

PULL IT UP,AND DO IT FOR THE REST.

- DO YOU THINKTHIS IS WORTH SOMETHING?

- YEAH, THIS IS DEFINITELYWORTH SOMETHING.

THAT'S WORTHA FEW HUNDRED BUCKS, NICK.

THAT'S A REALLY GOOD FIND.

- RIC'S GONNA BE HAPPYABOUT THIS ONE.

- HECK, YEAH, MAN, I LIKE IT.- GOOD WORK, BOYS.

- NICE.- ALL RIGHT.

- GO DOWN THERE,RUN YOUR DETECTOR.

- YOU JUST WANNA SEE ME SLIPAND BUST MY HEAD.

- NO.

- WOW, THIS IS COMING APART,RIC.

YOU BETTER BE CAREFULDOWN THERE.

- [grunts]- YOU FEELING SOMETHING?

[beeping]

- YEAH, I GOT A HELLOF A HIT HERE.

HOLD IT.

- DO YOU SEE SOMETHING?- YOU HIT IT?

- WHOA.

HE'S DUG IN PRETTY GOOD.

- EASY.

[grunting]

- HOLD ON.DON'T DROP IT.

- OH, MAN.

OH,IT'S A SURVEYING INSTRUMENT.

YEAH, THEY CALL ITA THEODOLITE.

- MM-HMM.- THAT'S A COOL PIECE.

- THIS IS A HELLOF A DISCOVERY.

- THIS PLACEWAS THE ORIGINAL HOME

OF THE U.S. GEOLOGIC SURVEY,

AND A LOTOF SURVEYING MISSIONS

STARTED OUT OF NEW HARMONY

THAT WOULD HELP PLOT THE COURSEOF THE UNITED STATES

FOR THE NEXT 200 YEARS.

AN INSTRUMENT LIKE THISIS NEW HARMONY ALL THE WAY.

BUT I GOTTA REMEMBER,

ERIK GETS FIRST PICKOF WHATEVER WE FIND.

SO I BETTER NOT GET TOO ATTACHEDTO THIS RELIC.

PIECE LIKE THIS,WE COULD PROBABLY

GET CLOSE TO A GRANDOR MORE FOR.

IF THIS IS HERE,

WHAT DO YOU THINKCOULD BE INSIDE THE HOUSE?

I MEAN, WE GOTTA LOOK.

- I'M GOING BACKIN THE ROOT CELLAR.

IF YOU HEAR ME SCREAMING,COME GET ME, ALL RIGHT?

- LET'S GOAROUND THE SIDE, BABE.

- ALL RIGHT.

- THIS HOUSE WASCLEARLY BUILT IN THE 1800s...

[grunts]

BUT THE INTERIORHAS DEFINITELY SEEN

SOME ACTIVITY SINCE.

OH, LOOK AT THAT.- I AM.

- IF WE'RE GONNA FINDHARMONIST ARTIFACTS IN HERE,

THEY'RE EITHER GONNA BE

UNDER THE FLOORBOARDSOR IN THE WALLS.

I JUST HOPETHIS WHOLE BUILDING

DOESN'T COME DOWNON US FIRST.

YEAH, RIGHT THROUGH HERE.LOOK AT THAT.

WELL, YOU GO CHECK IT

AND TELL ME IF IT'S SAFE.- YEAH, SURE.

- WHERE WAS PARTOF THAT WEDDING VOW

THAT SAYS, "THOU SHALTNOT LET YOUR HUSBAND

GO INTOA DANGEROUS SPOT ALONE"?

- MM-HMM.- [grunts]

BUT I SEE SOMETHING.

- UNDERNEATH THERE?- UP UNDER HERE.

- WATCH THE NAILS.

- [grunts]

- WHAT THE HELL'S THAT THING?- I DON'T KNOW.

IT'S GOT ELECTRODES ON IT.

IT COULD BE MEDICAL, MAYBE.

THIS IS OLD.IT GOES WITH SOMETHING.

THIS LOOKS LIKE SOMETHINGOUT OF FRANKENSTEIN'S LAB.

I DON'T KNOWWHAT IT IS,

BUT OLD GLASSWITH ELECTRODES

DEFINITELY FEELS LIKE1800s TECHNOLOGY.

WE HAVE TO KEEP GOING.

[grunts]

I'M NOT SEEING ANYTHINGUNDER THIS.

- OH, RIC.

- HOLD ON, BABY.HOLD ON, HOLD ON, HOLD ON.

- PLUMBING.- HOLD ON, BABY.

DAMN. HOLD ON.

[both grunting]

- WHAT IS THIS THING?

- WAIT A MINUTE.

GET THAT PIECE OF GLASS, BABE.- FOR WHAT?

- WHERE'D YOU PUT THAT GLASS?- WHY DO I WANT THE GLASS?

- GET IT, GET IT, GET IT.- ALL RIGHT.

- GIVE IT HERE.GIVE IT HERE.

I THINKI FIGURED IT OUT.

I KNEW I'D SEEN ONEOF THESE DAMN THINGS BEFORE.

- I DON'T WANT YOUTO BREAK THIS.

YOU MEAN THIS GOES--

- LOOK AT THIS.OH, MY LORD.

BILL!

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