2 Fast 2 Furious (2003)
The Fast and The Furious: Tokyo Drift (2006): Fast and the Furious, The: Tokyo Drift (2006)
Cops O: Late Night Snacks
Cops O: The Young and the Reckless
Cops O: Front Door Felony
Cops O: From Sixty to Zero
Cops O: Bible Buddies
Cops O: Manic Monday
Cops O: The Young and the Reckless
Cops O: Front Door Felony
2 Fast 2 Furious (2003)
The Fast and The Furious: Tokyo Drift (2006): Fast and the Furious, The: Tokyo Drift (2006)
Xtreme Off Road: XOR Adventure Ride
Engine Power: Ford Tribute: Big Inch Windsor Stroker
Detroit Muscle: Barn Find Chevelle: Shiny Bits and Panel Fits

The Top Seven Directors That Shouldn't Be Allowed to Act

by nathanbloch   October 12, 2009 at 10:00AM  |  Views: 593

When a director makes a cameo in his own movie it can be cool, almost like the Wizard of Oz briefly stepping in front of the curtain to remind us who’s pulling the strings. Alfred Hitchcock was the master of the directorial cameo. But all too often these days directors are biting off more than they can chew and embarrassing themselves.

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7. Kevin Smith


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Kevin Smith is a real salt of the earth kind of guy. He’ll tell it like it is, give it to you straight, and probably make you laugh in the process. But does that mean he should have a speaking part in almost every one of his movies? Probably not. Nor does it mean he should have speaking parts in any other movie. His brief appearance in Live Free or Die Hard was the stupidest, most boring ten minutes in the whole film.

Usually when he’s onscreen Smith plays Silent Bob from the franchise he started with Clerks. And the first time around it was kind of funny: here we have this street urchin hanging out with a borderline retarded drug dealer, and he’s actually very articulate and intelligent. The problem is, the joke doesn’t really work more than once, and by the time we get to Mallrats, Chasing Amy, and Dogma, you’re just wondering: why is that guy still hanging out with Jay?

One way or another, it looks like Smith might be taking a break from acting in his own movies, as evidenced by his absence from Jersey Girl (not that his acting could have made that movie worse than Ben Affleck’s did), and Zack and Miri Make a Porno. Sometimes it’s better not to follow your gut.

6. Woody Allen


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Sure, a lot of people will take issue with this, but the fact of the matter is that ever since Woody Allen stopped starring in his own movies they’ve gotten much, much better. No one’s saying Annie Hall isn’t great, and no one’s claiming he wasn’t hilarious in Manhattan.

But you can’t really argue with the fact that Match Point, Cassandra’s Dream, and Vicky Cristina Barcelona weren’t way better than Anything Else or Hollywood Ending. Woody Allen was Woody Allen’s biggest problem, and as soon as he addressed this problem his films started getting nominated for awards again.

He’s one of the best examples of how a director’s work can improve when he leaves just a little big of his ego at the soundstage door. He’s also one of the best examples of how sick everyone was of paying $10 to hear Woody Allen whine to the camera for two hours.

5. Quentin Tarantino


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After seeing him in Reservoir Dogs and Pulp Fiction, it was understandable to think Quentin Tarantino might have some acting talent. Time has shown this is not the case. It’s one thing to see Tarantino in a Tarantino movie, and it’s another to see him in anything else.

At this point, even appearing in his own movies has become more of a tacky distraction than a helpful addition. Tarantino is such a recognizable figure that it’s hard to imagine him as anything other than, well, Tarantino. His cameo in Death Proof was an obnoxious sideshow, and I’m tempted to once again point out that Inglourious Basterds was glorious in part because he wasn’t in it.

Though we may have seen the end of Tarantino appearing in his own movies, we haven’t seen the end of his acting days. He’s set to star in Sukiyaki Western Django. So far it hasn’t made it over to the states. Should we be surprised?

4. Spike Lee


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Other than his role in Do the Right Thing, which was a wild, wacky film to begin with, Spike Lee has never helped a movie by acting in it. For the same reason he’s unpleasant in real life – what with his being an angry, spiteful, little turd of a man – he’s unpleasant in his movies. If we can’t get him to stop making movies altogether, the next best thing would be to get him to stop acting in his own.

Like most directors, he knows the only shot he has at ever appearing on the silver screen is if he casts himself. But with age comes wisdom, and it’s been a good ten years since he last put himself in one of his movies, in 1999’s Summer of Sam. Does this means he’s learned from the error of his ways? Who knows. Never look a gift Spike Lee movie in the mouth.