How To Be a Hollywood Player
Lots of people love movies, but few people out there actually know how to break into Hollywood and make them. There are a few things you can do to break into “the industry” if you’re really determined to see your name on the silver screen. As Steven Soderbergh wrote, "Talent + Perseverance = Luck. Be ready when it happens."
By Nathan Bloch
The following article does not represent the opinions of Spike TV or its affiliates.
1. Don’t go to film school
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Some of the best known directors out there never stepped foot inside a film school – or they stepped foot inside and promptly dropped out. Kevin Smith, Wes Anderson, James Cameron, P.T. Anderson, Quentin Tarantino, and Steven Soderbergh all had little to no formal training. Kevin Smith and P.T. Anderson both dropped out of their film programs – with the money he didn’t spend on tuition for a second semester, Smith spent on Clerks, his first film.
Film school can be a great source of connections, equipment and opportunity, but it comes with a hefty price tag and potential disappointment. Some of the best programs in the country – USC, NYU – don’t allow everyone to write and/or direct a thesis film, and the lucky few who do get to make their films don’t get to retain ownership of them.
But if you have your heart set on film school, choose a small program that focuses on the technical aspects of operating equipment and learning the craft. You’ll come out of it sooner, with much less debt, and films that actually belong to you.
2. Move to Los Angeles
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So you’ve graduated from film school – or you haven’t – and you’re ready to try your luck at making a career in this highly competitive trade. The city with the most opportunity and one of the largest economies in the country is Los Angeles, and it’s also the home of the movie studios.
Moving to Los Angeles is clearly not a novel idea and thousands do so each year, so come prepared. Most importantly, bring a car that will be rock solid for the next few years because you’re going to spend most of your life in it. Also, don’t come to L.A. hoping to easily snag a job as a waiter: everyone else has the same idea. If you have a marketable skill other than waiting tables or serving coffee, emphasize it on your resume. Computer programming, video editing, web and graphic design – all of these skills are always in high demand and usually pay well.
3. Get an internship
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Now that you’ve got a job web designing at a reputable company you can pay the bills, but doing web design for a company that markets skin moisturizer to octogenarians is not going to get your script onto celluloid. Apply for an internship at every production company you can think of until someone calls you back.
An internship at a production company will help for several reasons, the most important of which will be covered more in step five. Internships are good in general, though, because they’re your first step in the door. Assuming you acquit yourself competently and prove useful – nay, indispensable – you might just get hired on at the end of the internship. And then you have a job that can provide you with the experience, connections, and opportunities you need to progress in your career.
4. Get a credit card with a high limit
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This is as a last resort, but something you will need when you get to step five. It is an unfortunate fact that filmmaking is an expensive art that requires money, and lots of it. Taking out loans from parents and friends and rich relatives is always optimal, but frequently not an option – especially if you’ve already hit them up when you were in film school. On the upside of the whole going-into-debt-in-the-middle-of-a-free-falling-economy thing, money is cheaper right now than it has been for a long time. Interest rates are about as low as they are likely to get, so if you do have to max out your card you can rest assured you’re getting the best deal anyone’s gotten this entire decade.
5. Make a reel
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A “reel” is a director, actor or writer’s portfolio. Back in the day if a director wanted to show you his reel, he was referring to an actual reel of film that showcased some of his best work. In the ‘80s and ‘90s directors put their reels on videotapes, and then by the middle of this decade directors burned everything onto DVDs.
You need professional looking material to have a decent reel. Short form stuff is the best way to go because it’s more affordable, allows you to have more than one thing on your reel, and is logistically easier to pull off. Shooting several short films and/or spec commercials is a good way to show off your talents while still being able to maintain a professional look to everything you shoot. If you can’t afford to make it look as good as the stuff you see on TV, then don’t bother. You want to convince people you can make stuff look great when you shoot something – take the videos of the day on YouTube and up the ante several notches.
Since you have an internship at a production company and you are beloved by all who work there, you will be in good standing when you hit the head of production and/or executive producer up to use the company’s insurance. The HOP or EP will also be able to help set you up with a great director of photography, who in turn should be the one to assemble the crew and get you good deals on equipment rentals. Also: Panavision has a New Filmmaker program that allows a few young filmmakers to use their cameras and lenses for virtually nothing if your project is chosen. There are lots of great options for filmmakers just starting out – take advantage of all of them.